Thursday 25 February 2010

Shooting Schedule

For filming, Josh has prepared a shooting schedule to make sure that the filming goes as smoothly as possible. By using my storyboard to help direct the shots and using Josh's schedule to know which shot is best to be taken when and where we should be able to get the filming we need to get done in the time supplied. Josh has also printed out a copy of the schedule for each of us to make sure that the filming day goes as smoothly and as efficiently as possible, ensuring that we won't forget any shots.

The following is a key that Josh wrote for his Schedule:
Key:
NO. I have given each shot that we are going to capture a number so we can write it on our clapper board. (This will make organizing clips in the editing process easier)
S.L. NO. This stands for Shot List Number. This means we can reference the shot with the shot list we wrote earlier. (This can help us when setting shots up because the shot list details the shots with greater depth)
SB. NO. This stands for StoryBoard Number. This means we can reference the shot with the storyboard that Jacob drew earlier. (This can help us when setting shots up because the storyboard will remind us how Jacob visualized the shot)




VACANCY ON VIOLET HILL: Shooting Schedule

Tuesday 23 February 2010

Thursday 4 February 2010

Script - Annotated

After revising his script, Josh then decided to annotate it and repost the script and screenplay for our scene in the teaser trailer for Vacancy on Violethill


Vacancy on Violet Hill Script Extract Annotated

Wednesday 3 February 2010

Script

After reading through the plot synopsis I had writtena nd after the group discussed exactly how the scene should play out as a teaser trailer and what shots would be used by creating the storyboard and animatic, Josh wrote a screenplay for the entire scene.

Vacancy on Violet Hill Script Segment

Tuesday 2 February 2010

Filming Location Photos

























Props and Equipment

This is a list of the equipment, props and costumes we are going to use for filming. We came up with this list together and Tom wrote it.

Visual props

Record player

Plates x 2

Fork x2

Knives x2

Glass x2

Chairs x2

Table

Food (cold pasta)

Lights

Torch

Boxes

Picture of mother

Axe

Mirror

Lamp

Dust sheets

Car

Table

Filming equipment

Video camera

Tri pod

Boom mike + Boom pool

Torch / lamp

Reflective sheet

Spare battery

Mini DV tapes x2

Clapper board

Marker

Costume

Gary – Father

Jeans

T-shirt / polo shirt

Brown leather shoes (casual)

Coat (casual indoor)

Cameron – James – Son

Jeans (casual)

T-shirt / polo shirt (plain)

Combat trousers

Plain hoody

The following is a list of props and equipment we need for our photo shoot for our ancillary tasks.

Visual Props:

Axe

Light reflective sheet

Camera equipment:

SLR camera

Tri-pod

Spare battery

Memory card

Monday 1 February 2010

Animatic for the Teaser Trailer

I drew out the shots for the animatic and composed them on Final Cut after the group discussed what shots we wanted to include from the shotlist. The other two members of the group have been busy doing analysis work while I've been finishing composing the animatic. The music features is Maybe by the Ink Spots and tones created were all tones I made using the program GarageBand, but I'm not very satisfied with the complete effect.

The Omen Poster Analysis



The poster for the release of the remade Omen film uses a mixture of imagery and iconography to illustrate the basis the of the film, playing both on what the viewer see’s and of what they know from the previous films. The film was released around 4 years ago for the only time we’ll ever see the date 6/6/06, obviously highlighting ‘the number of the beast’ in Christian belief, centred around the coming of the antichrist and the eve of the apocalypse. The clues of the iconography given here are the emphasis on the date 6/6/06 at the bottom and in the black text above the boy. The ominous Christian imagery shown would be the shadow that extends down from the ‘O’ of omen that appears as an upside down cross, suggesting a sign of the antichrist.

The elements of the poster that make it obvious that the film is a horror would most likely first be the colours. Everything in the scene is toned with a de-saturated blue, with a very high contrast. The backlighting gives light blurred edges to the trees and the figure, and the field of focus is very shallow, highlight the boy at the forefront followed by the dog and the menacing and sinister looking trees in the background, masked in thick white fog that plays on a pathetic fallacy. The way that all the trees are bare and almost silhouetted makes the scene look very cold and unnerving. The sharp thin branches surround the scene in a very disturbing manner, to help add to the horror feel.

The boy himself has a very unnerving look about him. His expression is very mysterious and the shadow covering his face makes him seem like a threat to the viewer. His eyes can just be seen in the shadow making it seem like he’s looking directly at the viewer with a suspicious motive. He’s dressed for winter, confirming the cold atmosphere of the poster. The boy is midway through swinging on the seat he’s on, giving a transitional period to the scene, and the innocence of a child playing on a swing contrasts well with the serious, sinister face given off by the child. This is a large clue towards suggesting that the child is cursed or not completely what he seems. The Rottweiler next to the boy is also a menacing features at it sits almost completely silhouetted and the breed itself has quite a few connotations that suggest a fierce, violent nature. The eyes of the dog are even highlighting, making it look very unnatural.

The text in the poster has an ominous feel to it. The font is serif and gives it a formal look, highlighting that the film is very serious and dark. Its plain black, adding to that theme, and there’s been a slight vertical motion blur applied to the text, making seem as if the text is emerging slightly, giving it its own creepy aura that adds to its imposing appearance. On the date at the bottom a yellow/golden outer glow has been applied, giving it a biblical look, informing the viewer that the film is based on beliefs of Christianity. The upside cross has been used again as bullet points to separate the days, months and years. Overall an impending menace is portrayed in this poster, linked to Christian belief, giving very much a ‘calm before the storm’ impression.